India Film Incentives: How Central and State Schemes Differ
India film incentives operate at two levels, and they should not be treated as one automatically stackable pool. The central India Cine Hub reimbursement is available to eligible international productions applying through an Indian line producer or production-services company. State schemes are separate tourism, regional-cinema or sector-specific instruments, each with its own applicant, content and expenditure rules.

The practical consequence is that eligibility and value have to be confirmed scheme by scheme before a budget treats any figure as receivable. The central India film rebate is documented in the India Cine Hub revised incentive guidelines; the state schemes live in individual government resolutions and policies updated on their own cycles. Where this page cannot confirm a current, operative rate from an official source, it says so rather than publishing a number.
Several states also run AVGC and post-production incentives, covering animation, visual effects, gaming and extended reality, that are separate from any live-action shooting rebate; the directory flags those as AVGC or infrastructure only so they are not mistaken for a rebate on principal photography.
India Film Tax Incentives: Central Cash Reimbursement
India film tax incentives and India film tax rebates are common search terms for the national scheme. The India Cine Hub mechanism is technically a cash reimbursement of qualifying production expenditure, not an income-tax credit or deduction. State film incentives and rebates in India operate separately under their own eligibility and expenditure rules.
The central incentive is a reimbursement of Qualifying Production Expenditure (QPE) incurred in India, administered by India Cine Hub, the government single-window formerly known as the Film Facilitation Office, which sits under the National Film Development Corporation and the Ministry of Information and Broadcasting. For a live-action feature or series, the structure is a base reimbursement of up to 30% of QPE, a bonus of up to 5% for employing 15% or more Indian labour, and a further bonus of up to 5% for Significant Indian Content. Claimed together, these reach a maximum of 40% of qualifying Indian spend, subject to a per-project limit of ₹30 crore.
The minimum qualifying spend for a live-action project is ₹3 crore. The ₹30 crore ceiling is a per-project cap, not an annual allowance, and it cannot be expanded by phasing a single project across two financial years. The two bonuses lift the rate of reimbursement applied to qualifying spend; they do not raise that ceiling, and a production claiming neither bonus sits at the 30% base while one that meets both reaches 40%. All payments remain subject to availability within the scheme’s allocated annual budget and are handled on a first-come, first-served basis.
| Component | Rate | Trigger |
|---|---|---|
| Base reimbursement | Up to 30% of QPE | Approved live-action project, minimum ₹3 crore QPE |
| Indian-labour bonus | Up to 5% | 15% or more of labour is Indian |
| Significant Indian Content bonus | Up to 5% | Meets one published SIC criterion, subject to assessment by three Script Evaluation Officers |
| Maximum | 40% of QPE | Both bonuses met; capped at ₹30 crore per project |
How an international producer applies
An international producer claims through an eligible Indian applicant rather than filing alone. The applicant is a line producer or line-production services company based in India and holding a valid Permanent Account Number (PAN) and Goods and Services Tax (GST) registration, under a binding agreement between the two parties. That Indian company makes the purchasing, hiring and production-spend arrangements on behalf of the international producer and maintains the expenditure and compliance records used for the audit and claim. This structure places purchasing, record-keeping and claim preparation with the eligible Indian applicant. An experienced line producer in India coordinates the Indian applicant, qualifying-spend records, interim application and final reimbursement claim within the production plan.
Documentary and Animation, VFX and Post-Production Treatment
The live-action structure is not identical across every format, and two cases are commonly mis-stated. Documentaries carry no minimum qualifying spend, so smaller factual projects that fall under the ₹3 crore live-action threshold can still qualify for the reimbursement.
Animation, visual effects and post-production services run on a separate track. The minimum qualifying spend is ₹1 crore, the base reimbursement is up to 30%, and a Significant Indian Content bonus of up to 5% can lift that to a maximum of 35%, again capped at ₹30 crore per project. The live-shoot Indian-labour bonus does not apply to this track in the same way, so the animation and post-production maximum is 35%, not the 40% available to live-action. Where a project combines a live shoot and post-production in India, the guidelines direct that the application is made under the live-shoot track.
Eligibility, Qualifying Expenditure and Exclusions

When qualifying expenditure starts
Eligible expenditure does not wait until the incentive application is filed. For a live-action project it accumulates from the date the shooting or filming approval is granted, by the Ministry of Information and Broadcasting, or by the Ministry of External Affairs for documentaries, subject to the scheme’s conditions. For the animation, VFX and post-production track, it accumulates from the date the interim-approval form is submitted to India Cine Hub. Confirming that start date early is what protects early spend from falling outside the claim.
Significant Indian Content
The Significant Indian Content bonus is assessed against published criteria, not a narrow heritage or cultural test. A project can qualify by meeting any one of the following: at least 25% of the total budget is spent in India; at least one of the three lead characters is Indian or played by an Indian national, including voice talent; at least one creative head of department, meaning the director, animation director, director of photography, music director or writer, is an Indian national; the production presents positive images or perception of India; or it presents the beauty of India’s tourist attractions. A committee of three Script Evaluation Officers reviews the script and production budget and makes the decision.
Excluded formats
Several formats are excluded from the reimbursement entirely. The excluded categories include news and current affairs, quiz and reality shows, music videos, magazine, infotainment, talk and lifestyle programming, productions primarily made for fundraising, training or corporate advertising and promotion, and sports or public-event coverage. Short-form work is also outside the scheme: features must run at least 72 minutes and documentaries at least 30 minutes.
Application, Approval and Payment Workflow
The workflow is a two-stage process, interim then final, with defined processing windows. For a live-action project, the interim application is filed before principal production begins in India, and India Cine Hub processes it within 20 working days of receiving complete documentation. For the animation and post-production track, the interim application is filed within one month of signing the contract and is processed within 45 working days. Interim approval is valid for 12 months, extended to 24 months for projects with qualifying spend of ₹20 crore or more. The final application is filed within 90 days of the project’s completion in India and is processed within 60 working days of complete documentation.

Payment is staged. For a live-action claim, 90% of the eligible incentive is disbursed to the applicant’s account, with the remaining 10% released once final credits carrying the “Filmed in India” credit line and a release affidavit are submitted. For documentaries, and for other projects where the Script Evaluation Officer requires a No-Objection Certificate, 20% is released initially, 70% on receipt of the certificate, and the final 10% after submission of the required credit and release affidavit. Because the money arrives after audit and after completion, a production needs either working capital or bridging finance against the receivable to carry the gap between Indian spend and reimbursement.
Verified State Incentive Directory
State-scheme information requires particular care because tourism and regional-cinema policies are often presented as general foreign-production rebates. The directory below marks each state by how far its current scheme has been confirmed against an official source, using five statuses: verified active, format or language restricted, AVGC or infrastructure only, announced or awaiting operative guidelines, and no current general production incentive verified. Rates appear only where an official policy document states them. Three states run current policies that can reach international productions, each under conditions and each set out below with its official source.
Rajasthan Film Tourism Promotion Policy 2025
Rajasthan’s Film Tourism Promotion Policy 2025 pays a subsidy on the cost of production, tiered by the share of shooting done in the state, up to ₹3 crore for a feature film, ₹2 crore for a web series, ₹1.5 crore for a TV serial and ₹2 crore for a documentary, with an additional 5% for shooting entirely in the state. The additional 5% remains subject to the overall ceiling for the relevant production format. Advertising films and videos, dubbed versions and adult-rated content are excluded, and the subsidy is tied to CBFC certification and a minimum Indian release. The terms are set out in the official Rajasthan Film Tourism Promotion Policy 2025.

Madhya Pradesh Film Tourism Policy 2025
Madhya Pradesh’s Film Tourism Policy 2025 provides international films with up to ₹10 crore or 10% of expenditure incurred in Madhya Pradesh, whichever is lower. The project must have Government of India approval, shoot in the state for at least ten days and receive an international release. MPSTDC hotels and tourism services may offer film cast and crew a discount of up to 40% on published rates. The terms are set out in the official Madhya Pradesh Film Tourism Policy 2025.

Gujarat Cinematic Tourism Policy 2022–2027
Gujarat’s Cinematic Tourism Policy 2022 to 2027 reimburses 25% of eligible expenses for features, capped at ₹1.5 crore, ₹2 crore or ₹2.5 crore by project sequence, 25% or ₹25 lakh for documentaries, and up to 20% for film infrastructure, subject to minimum budget, shoot-day, runtime and certification conditions. The terms are set out in the official Gujarat Cinematic Tourism Policy 2022 to 2027.
Why the Maharashtra “25% plus 5%” figure is not a foreign rebate
Maharashtra is widely, and wrongly, cited as offering a general 25% plus 5% cash rebate to foreign productions. No government resolution establishing that as a general foreign-production incentive could be verified. What the state actually operates is a grant scheme for Marathi-language films and an AVGC-XR policy for the animation and gaming sector; neither is an international live-action rebate. Maharashtra’s real value to an inbound production is its established crew, studio and post-production base, rather than a headline percentage.
State incentive matrix
The matrix summarises current status. Where a state’s scheme is restricted by language or domicile, focused on the AVGC and post-production sector, or not confirmed as operative at a published rate, that is stated plainly rather than presented as a general rebate.

| State | Scheme (year) | Status | Applies to | Verified detail |
|---|---|---|---|---|
| Rajasthan | Film Tourism Promotion Policy 2025 | Verified active (conditions) | Indian and foreign features, web series, TV serials, documentaries | Subsidy up to ₹3 crore (feature), tiered by in-state shooting; ad films, dubbed and adult-rated excluded |
| Madhya Pradesh | Film Tourism Policy 2025 | Verified active | Features, TV, web series, documentaries incl. international projects | International films up to ₹10 crore or 10% of MP expenditure, whichever is lower; needs GoI approval, 10+ shoot days and international release; up to 40% MPSTDC discount |
| Gujarat | Cinematic Tourism Policy 2022 to 2027 | Verified active (conditions) | Features, documentaries, web series, TV, infrastructure | 25% of eligible expenses (feature caps ₹1.5 to ₹2.5 crore); certification and budget conditions |
| Uttar Pradesh | Uttar Pradesh Film Policy 2023 | Verified active (Indian and regional oriented) | Hindi, English and other Indian-language films, with a higher regional-language tier | Up to 25% for Hindi films, capped by the proportion of shooting completed in Uttar Pradesh; up to 50% for Awadhi, Braj, Bundeli and Bhojpuri films. Confirm eligibility for a foreign service production. |
| Maharashtra | Marathi-film grants + AVGC-XR | No general foreign rebate verified | Marathi-language films; AVGC sector | No verified general cash rebate for foreign or non-Marathi live-action; value is infrastructure |
| Goa | Scheme of Financial Assistance for Films 2016 | Format or language restricted | Goan filmmakers only | Domicile, Konkani or Marathi language, local cast and crew, Goa screen-time conditions; not a foreign rebate |
| Karnataka | Kannada-film subsidy + Bengaluru AVGC | Format or language restricted | Kannada and Karnataka regional-language films made in-state | No general foreign live-action rebate; Bengaluru is a leading AVGC, VFX and post base |
| Telangana | IMAGE Policy | AVGC or infrastructure only | Animation, VFX, gaming | No live-action cash rebate for foreign productions; Hyderabad and Ramoji Film City infrastructure |
| Kerala | KSFDC + AVGC-XR Policy 2024 | AVGC or infrastructure only | AVGC sector; operational location support | No live-action cash rebate; location and AVGC support only |
| Tamil Nadu | Tamil-film subsidy | No general foreign incentive verified | Selected low-budget Tamil films | No verified general foreign rebate; Chennai is a major production ecosystem |
| Uttarakhand | Film Policy 2024 | Announced; operative rates to confirm | Regional and Hindi productions | Policy exists; specific subsidy rates not confirmed from the official document |
| Andhra Pradesh | AVGC-XR framework (in development) | Announced or awaiting operative guidelines | AVGC sector (proposed) | No current live-action foreign rebate verified |
| West Bengal | None currently verified | No current general production incentive verified | Kolkata production base | No operative cash rebate confirmed; deep Bengali-cinema talent pool |
| Delhi NCR | None | No current general production incentive verified | Production hub only | Infrastructure and location value; multiple municipal permit authorities |
| Northeast (Assam, Nagaland, Arunachal and others) | Varies by state | No current general production incentive verified | Local and regional-language cinema | No general foreign-production rebate verified; check the policy of the individual state |
Can Central and State Incentives Be Combined?
Central and state support cannot be assumed to stack. Eligibility depends on each scheme’s applicant rules, qualifying-cost definitions, treatment of other public funding and restrictions on claiming the same expenditure twice. Obtain written confirmation from India Cine Hub and the relevant state authority before treating two incentives as receivable.

The central guidelines expressly prevent applicants benefiting under the official audiovisual co-production incentive from also claiming this reimbursement, and allow one reimbursement per project. State combinations must be checked individually, and our multi-scheme incentive consulting maps which schemes a specific production can actually claim. Any claim that central and state schemes routinely stack to an effective 70% of qualifying spend should be treated as unverified until both authorities confirm it in writing for the specific production.
Building an Incentive-Ready India Budget

An incentive-ready budget starts from the qualifying-spend definition, not the headline rate. The principal budgeting steps are to confirm the project format and its correct track, live-action, documentary or animation and post, and the matching minimum spend; to model qualifying Indian expenditure against the up-to-40% structure, or up to 35% for animation and post, and the ₹30 crore cap; to decide at script stage whether the production can meet the 15% Indian-labour threshold and one of the Significant Indian Content criteria, since both are structuring calls rather than late crew decisions; to fix the interim-application date so early spend accrues from the approval date; and to confirm any state scheme separately, on its own applicant and content rules.
Because the reimbursement is paid after completion and audit, the cash-flow plan matters as much as the headline percentage. Day rates, equipment and location costs that the incentive is calculated against sit on our India film production rates page, so the qualifying-spend base can be modelled before the rebate is applied.
India Film Incentives FAQs
What is the maximum film incentive in India?
For a live-action production, up to 40% of qualifying Indian spend under the central India Cine Hub scheme, made up of a 30% base plus 5% for Indian labour and 5% for Significant Indian Content, capped at ₹30 crore per project. Animation, VFX and post-production reach up to 35%. State schemes may add support in a few cases but cannot be assumed to stack on top.
Is there a minimum spend to qualify?
Yes for most formats. Live-action projects need at least ₹3 crore of qualifying Indian spend, and animation, VFX and post-production need at least ₹1 crore. Documentaries have no minimum qualifying spend.
Can a foreign producer apply directly to India Cine Hub?
The claim is filed through an eligible Indian applicant, a line producer or line-production services company holding PAN and GST registration, under a binding agreement with the international producer. That Indian company carries the spend, audit and compliance chain on the producer’s behalf.
How long does the incentive take to approve and pay?
The interim application, filed before principal production for live-action, is processed within 20 working days of complete documents. The final application is filed within 90 days of completion and processed within 60 working days. Payment is staged, with 90% released on approval of the final claim and the remaining 10% on submission of the “Filmed in India” credit and release affidavit.
Can the central rebate be combined with a state scheme?
Not automatically. Each scheme has its own applicant and qualifying-cost rules, and the central guidelines bar anyone claiming the audiovisual co-production incentive from also claiming this reimbursement. Confirm any combination in writing with India Cine Hub and the state authority before relying on it in a budget.
Which states have a scheme relevant to international productions?
Under the policies verified for this guide, Rajasthan, Madhya Pradesh and Gujarat run operative policies that can reach international productions under conditions. Most other states are restricted to regional-language or domestic films, focused on the AVGC and post-production sector, or not yet confirmed as operative at a published rate, so each has to be checked against its current government policy before it is counted in a plan.
Are film tax rebates in India tax credits?
No. The central India film rebate is paid as a cash reimbursement against approved qualifying production expenditure. It is not structured as a reduction of the foreign producer’s Indian income-tax liability.
The safe planning posture is consistent throughout. Treat the central India Cine Hub reimbursement as the one national, verified route open to international productions, confirm the correct track and minimum spend for the format, model the qualifying spend against the up-to-40% structure and the ₹30 crore cap, and check any state scheme individually against its current government policy before it is counted in a budget. Send the format, the intended Indian spend and the shoot window, and we will map the central rebate and any applicable state scheme for the specific production and structure the applications through the Indian applicant.
